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Product details
File Size: 2769 KB
Print Length: 264 pages
Page Numbers Source ISBN: 0393651649
Publisher: W. W. Norton & Company; 1 edition (February 12, 2019)
Publication Date: February 12, 2019
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B07DP75SST
Text-to-Speech:
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Amazon Best Sellers Rank:
#42,721 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
This author was in high school with my children 20+ years ago, and her parents are friends. So, of course, I wanted to read Jessica's first published book. That's why I bought it. But that's not why I've chosen to review it and give it a five-star rating.Those stars were earned because this is not only a beautifully written book and a compelling story, it is also a book that required (on the part of the author) courage, intelligence, research, and brutal honesty to peel back the layers of lies, truth, perception, and raw emotion around several years of her life. It is ultimately a book about humanity and the many ways each person chooses to cope with life, luck (good and bad), hardship, and the stories we tell ourselves in an attempt to make sense of it all. it is also a fascinating and clear-eyed perspective on the challenges of coming of age in the late 1990s and the cultural and psychological impact of 9/11 on our whole society.Jessica toured for several years as a violinist with an ensemble who only pretended to play and the audience heard only canned music. This alone was a strange and fascinating story. Her myriad physical and mental health issues during this time were hard to read about, but she poignantly depicted the turbulence and danger of youthful anxiety and stress. The author tells her story with honesty and compassion...compassion for her young self and for the parents she knows she is lucky to have.Some of the writing took my breath away as it pulled me into her world and experiences. Her description of the emotional impact of the music she played on the violin in a high school concert from Fritz Kreisler's "Praeludium and Allegro in the style of Pugnani" was one of the most brilliant and masterful pieces of writing about a powerful musical experience I've ever read (think Ann Patchett's passages about opera in Bel Canto).Besides writing exquisitely, besides bringing us a fascinating story, besides taking us on a thoughtful journey through turn-of-the-21st-century culture and societal landmarks, Jessica Hindman has also shown us how to look at life, sift through the clues to its meaning, and find the strength to identify and hang on to what's true and worth preserving—how to navigate the pain, confusion, and messiness and still emerge with newfound insights, convictions, and appreciations—ones that will serve you well for the next leg of your journey.Bravo, Jessica. You've reminded us that we must never let anyone else define success for us. It is ours alone to define and embrace, as you have clearlydone in your own life.
I usually stick to fiction, because a character's life as invented by the author has to be more interesting than the real lives of people around us. But Jessica's account of working for The Composer is weirder than fiction. Sure, it's a story about being a violinist in fake concerts, but also manages to be a study on the nature of memoir, reality, growing up female in the nineties, undergraduate class conflict, a tour of America at war, and the unreliable narrator in our own heads.I really appreciated the vulnerability she put into this book. It allows even a reader with the most boring life to relate to the sometimes crazy experiences the author had. While Jessica is critiquing her young self for her inability to make a living doing something important, I'm admiring all of the ways that she at least tried, harder than most people ever try at anything. Before I even finished reading this book it was obvious that she had managed to do something important and creative: This book is brilliant. I can't wait to read what she writes next.
Most modern memoir writers fall short by relating and describing less than completely believable situations or characters. In short, they seem not quite honest or even almost fake. I doubt that any reader of "Sounds Like Titanic" will come to any such conclusion. Ms Hindman's memoir grabbed me from the beginning, kept me involved and interested and concerned throughout and when she emerged from her travails triumphant (almost, sort of) I wanted to cheer. This author may not have had the "rey ell gift" as a violinist but she certainly does as a writer. She's now one of my favorites.
This book grab me from the first sentence. It was well recommended to me, but I didn’t quite grasp the concepts… She’s playing music, but she’s not really playing?? It unfolds beautifully and so very honest Lee. I hope we hear from her again soon.
One thing I REALLY hated about this book: it ended! And the end snuck up on me like the end of my own musical career (replaced by a career in computers.). Keep writing Melissa...you have a reeayeall (sp?) gift! Peace
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