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An American Odyssey: The Life and Work of Romare Bearden
PDF Ebook An American Odyssey: The Life and Work of Romare Bearden
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Review
"Campbell offers a discerning portrait of Bearden's long and successful career... A perceptive, richly detailed biography."--Kirkus "A dynamic portrait... Bearden once wrote, 'The Negro artist must come to think of himself not primarily as a Negro artist, but as an artist,' and Campbell perfectly encapsulates that notion in this analysis of Bearden's remarkable career."--Publishers Weekly "[Campbell] authoritatively conveys the complexity of Bearden's struggles as a Black artist who both aggressively supported his Black colleagues in Harlem-based exhibitions and believed that the universality of artistic vision must move beyond any single community to be most effective. It is an exhilarating and instructive read." --Ruth Fine, Curator "Meticulously researched and highly readable, this ground-breaking analytical biography of one of the twentieth century's leading figures in painting, collage and other art forms is an immensely important addition to recent art historical literature and biography. It is a pleasure to read and is a necessary addition to our American cultural consciousness." --Edward J. Sullivan, Helen Gould Sheppard Professor of the History of Art, Institute of Fine Arts (Deputy Director), New York University"In this extraordinary book, Mary Schmidt Campbell unveils-in brilliantly researched and captivating language-the journey of unrelenting effort and self-discovery that has earned Romare Bearden a place of rare distinction, as both an artist universally revered by the greater art world and as a 'hero' to his own people.... Every page is abundant with vivid imagery and detail that brings Romare Bearden's artistic odyssey to life. Bravo!" --Dianne McIntyre, Choreographer "Dr. Campbell's elegant prose and impeccable scholarship brilliantly illuminate the life and career of one of the twentieth century's great artistic visionaries. True to its name, An American Odyssey positions Romare Bearden's journey as both deeply his own and inexorably tied to our nation's history." --Thelma Golden, Director and Chief Curator, The Studio Museum in Harlem "Through her long association with Romare Bearden and his work, Mary Schmidt Campbell possesses a rare understanding of his life and artistry. In this beautifully written volume, she sensitively illuminates his biography and comprehensively traces the trajectory of his career. By brilliantly interweaving the political history of African Americans throughout the 20th century with the emergence of one our foremost artists, she has written a book that speaks to anyone who is interested in American history, art, and culture. Campbell writes that Bearden's legacy is his ability to create worlds; in this biography, she re-creates Bearden's world." --Henry Louis Gates, Jr., Harvard University "By navigating the historical, social, and political contexts informing black aesthetics and Bearden's unique oeuvre, Campbell, president of Spelman College, has produced an invaluable work."--Booklist"Ms. Campbell's book will be of interest to those just discovering Bearden as well as to experts, along with anyone interested in the history of American art in the mid-to-late 20th century. It is an admirable gesture of friendship from author to subject, one which, in its most closely observed pages, does justice to a remarkable life."--Wall Street Journal
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About the Author
Mary Schmidt Campbell is President of Spelman College and Dean Emerita of the Tisch School of the Arts. She served as the vice chair of the President's Committee on the Arts and Humanities under former President Barack Obama.
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Product details
Hardcover: 464 pages
Publisher: Oxford University Press; 1 edition (September 5, 2018)
Language: English
ISBN-10: 0195059093
ISBN-13: 978-0195059090
Product Dimensions:
9.3 x 1.5 x 6.2 inches
Shipping Weight: 1.8 pounds (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
13 customer reviews
Amazon Best Sellers Rank:
#346,273 in Books (See Top 100 in Books)
This is going to sound odd, but in my opinion one of the good things about this book is also its fatal flaw. In telling the personal and artistic story of this important artist, the author reached well beyond his immediate life and really told a whole cultural history of black people's experience in America through his lifetime, and even pre-dating his birth. All of that historical information is interesting and certainly it all had an impact on Bearden's life and work. But the author went too far out on tangents and too often left the immediate story behind for too long. I have found this problem in other biographies I've read recently. I believe if you're writing someone's life story, you should never leave the subject of them or the people in their lives for long. A paragraph here and there about some person or event not directly in the subject's life but important to it, sure, that's fine. But there are long passages in this book that aren't actually about Bearden. It starts to feel professorial. I was already familiar with some of that historical information, but before reading the book I knew nothing at all about Bearden. I wanted the book to stay focused on him and felt disappointed when it didn't. But the writing is very good and there's a lot of important and interesting content. And the pictures of Bearden's artistic works are wonderful.
I first encountered the work of Romare Bearden in one of those stores that used to sell art to students trying to decorate bare walls. I was blown away. In that pre-Internet era, it was hard to find out much about the person who had created such evocative collages, and I gave up trying to learn more. In recent years, more books about Bearden have emerged, including one that accompanied a traveling exhibition in the mid-2000s. I was looking forward to reading a book that covered his life in depth.The author comes from an academic background, and the book reads more like a dissertation than a Ron Chernow biography, with over 100 pages of notes and bibliographic citations. Normally, I love biographies, but this one feels inordinately dry, even with the addition of handwritten letters from the artist to the author (very cool!) Too, the art -- the reason I got hooked in the first place -- occupies about 20 pages in the middle of the book, and thus is separate from the text discussing it. Most of the reproductions are so small that it's hard to get a sense of their visual impact. I realize there are printing economies governing these decisions, but for this reader that was disappointing.The book was more compelling as a work describing the environment for black artists in the 20th century. Bearden grew up in a rarefied environment that brought him in contact with some of the most famous artists and cultural icons of the day, and his talent was identified early. A man who excelled in many areas, he was even offered a contract to play pro baseball, but only if he played as a white man. He chose to identify as black, a choice that "heightened his sense of a cultural DNA" and amplified his desire to "paint the life of my people as I know it." His perspectives on his subjects broke ground for many artists who have followed.The author is a founding member of the Romare Bearden Foundation advisory board, established after his death, and her knowledge of his work, including the exhibitions and events that the foundation has overseen, is encyclopedic. Like an encyclopedia, reading about it is fascinating, but best digested in small doses.
An American Odyssey: The Life and Work of Romare Bearden is a well written biography, social and cultural history. It illuminates and contextualizes the work of Romare Bearden, a keen observer and documentarian of the human condition, in particular the people struggling to emerge from decades of oppression. I was unfamiliar with his work despite years of studying art and art history. His work is not well represented in major public collections. I believe that this book is part of an effort to correct that oversight and give him the attention that he deserves.The book is very well produced and illustrated with numerous color reproductions of his work. I really appreciated having that as a reference as I read, and being able to get an overview of his work, the scope and span, and to be able to relate it to social and cultural history. My 4 star rating is more personal than objective. I am not terribly fond of reading biographies, or history. While I appreciate the understanding it affords, it is generally an area I avoid in my leisure reading. All that said, it is well written and documented and could easily be a 5 star read for those who enjoy this type of book more than I. I picked it up out of curiosity because I had not encountered his work before. That may have been because I have been in Hawaii for 30+ years, where art from the western hemisphere is not particularly well represented. I am glad for the introduction and will look for opportunities to see his work when I travel. I am sure that the small images do not do justice to it as many of his pieces were large, and there is no way that a small reproduction can have the same impact.It is a book that I would recommend for those interested in his work, in art history or social and cultural history. I feel as though I came away with a reasonably good understanding of the man, and a better understanding of the time in which he lived and worked.
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