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Sabtu, 23 Maret 2013

Maret 23, 2013 Posted by sammistuartmaxwellpaget No comments Posted in

Free Ebook How to Love a Country: Poems, by Richard Blanco

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How to Love a Country: Poems, by Richard Blanco

How to Love a Country: Poems, by Richard Blanco


How to Love a Country: Poems, by Richard Blanco


Free Ebook How to Love a Country: Poems, by Richard Blanco

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How to Love a Country: Poems, by Richard Blanco

About the Author

Richard Blanco was selected by President Obama to be the fifth inaugural poet in history. He followed in the footsteps of poets like Robert Frost and Maya Angelou. His poems have appeared in The Best American Poetry and Great American Prose Poems. A builder of cities as well as poems, he is a professional civil engineer. He currently resides in Bethel, Maine, as well as Miami, Florida.

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Product details

Audio CD

Publisher: Two Words on Dreamscape Audio; Unabridged edition (March 26, 2019)

Language: English

ISBN-10: 1974941337

ISBN-13: 978-1974941339

Product Dimensions:

6 x 1.1 x 5 inches

Shipping Weight: 6.4 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#1,981,682 in Books (See Top 100 in Books)

In HOW TO LOVE A COUNTRY, poet Richard Blanco's latest collection, one finds many responses to current events. The occasional poems respond to such topics as the Boston Marathon terrorist bombing, the mass killings at the Pulse nightclub and the Marjory Stoneman Douglas High School, the reopening of the US Embassy in Cuba, and the 2016 Presidential Election. These poems, included with others that address Blanco's own family's heritage, the various means through which people define what it means to be American, and repeated concerns about what kind of unity our country can build from its stark divisions, express a sincere, thoughtful concern. "November Eyes," for example, explores how the speaker's sense of otherness expands in the wake of the Trump election, when an almost tribal division becomes apparent in newfound wariness between neighbors. This poem offers examples of what Blanco does best--offering concrete examples that permit readers to recognize analogous experiences. Unfortunately, he sometimes slips. In "Remembering Boston Strong," for example, he describes ordinary, specific daily routine and then inserts a comparison of a park filled with singing people to "a thousand songbirds at once," a vague comparison because, let's face it, this arbitrary number of songbirds likely would not sound all that different from a park full of them, a more natural comparison that fits with the rest of the peace. In another poem, "Dreaming a Wall," an overt Trump symbol despises the life-filled home of the "others" next door and dreams of the violence he would inflict on them, the building of his dream wall every bit as violent. Such ham-fisted symbolism seems small in comparison to the deft, expressive writing in much of the volume. I admire some sections of this collection a great deal, particularly the series of poems that represent different immigrant experiences. But when in "Election Year" Blanco refers to "something we call hope / pitted against despair," I wish he would tell us what he thinks that "something" is instead of relying on us readers to fill in the blank. In sum, when Blanco offers specific, concrete descriptions, he offers his best work in this collection, because he trusts his readers to recognize their analogous experiences or to feel empathy without being cued to do it.

what’s attractive about blank verse is how those neat stanzas come close to a semblance of rhymed verse. richard blanco’s seductive poems are in the american tradition, in company of the first inaugural poet, robert frost. his most political poems are orderly, of a poet who loves his country but reserves the right to criticize his country’s flaws, whitmanesque without the wildness, while as an immigrant, nostalgic of the country where his parents were born and the culture they carried across borders here. his poems want us all to be better and more tolerant of each other. also, like whitman, blanco sings of nature.from Now Without Me … That this very poemfrom my hands owes itself to the hands that firstmixed soot and tallow with imagination to drawmyth across their cave walls, and to the throatsthat first tamed grunts into breaths of language,gave meaning to the toil of spear and slaughter.

There are moments of transcendent poignancy in some of these. Moments when tears have sprung to my eyes, or when I felt a wave of longing or sadness. Some poems feel so intimate, that even though my story is so different from the narrator's, that I feel closer to understanding, maybe, what it might be like to have that background. Maybe Latinx readers will find even more to love in these, but as a white reader whose immigrant ancestors are well in the past, I appreciate that Blanco is writing to me, too. His writing feels like he's trying to build bridges, to foster communication and understanding, while not minimizing his unique lived experience. This sense is furthered by those poems that take a narrative voice very different from his own experience (like the Chinese girl, or the Irish boy). This is not a "gay" collection or a "Latinx" collection; it's an American collection, with a smart and deep patriotism very different than the sound-byte-style jingoism spouted by some politicians. I love this collection, and having finished it (which took me a while), I immediately turned back to reread favorite poems. I recommend this collection to anyone who loves poetry, and especially anyone who identifies with the immigrant experience.

Richard Blanco is the son of Cuban immigrants. He writes of this heritage, of his life in United States and especially of feelings. His parents worked very hard, and he felt some distance from his father. He wondered about the land they came from, and eventually he made it to Cuba for a visit. I really enjoyed his poems, which are fairly short and not hard to understand. They are evocative and beautifully written. These are not sing-song poems, they are structured like flowing text. The words are carefully chosen and often beautiful, but sometimes very sad. Most people who love poetry will enjoy this book. However, persons who are deeply prejudiced against immigrants or gay men may be disturbed by this poet. Also be forewarned that some of the pieces are about true incidents that are horrifying, such as a lynching or school shootings. Life can be tragic, and as a contemporary writer, Blanco addresses these things with deep feelings and honesty.

I enjoy poetry and can add this book to one of favorites. His poems are both poignant and powerful and paint vivid pictures of what he sees or remembers. There is an element of lament as he talks about lynchings or the past or his own mortality, but he does not squander his writings on self pity. Nationalism and strength of character are reemerging themes. I will keep this on my top shelf for frequent reading.

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